Stylish director/performer Dana Vespoli presents a variety of liquid fetish in the sexually edgy, artistically ambitious Fluid Volume 3. The action flows from gorgeously photographed underwater lovemaking to daring adventures in submersive breath control. Fans can take a dip in the trailer at EvilAngelVideo.com and dive into the deep end on March 11, when Evil Angel releases the visually sumptuous video on DVD and VOD.
“‘Fluid’ is one of my favorite titles to shoot,” says Vespoli, “since I’m fascinated by all manner of fluids — bodily and otherwise. ‘Volume 3’ is special to me because I was lucky enough to have Stoya in it, and to perform with her. I’ve been a Stoya fan since she came into the industry.”
Crystal clear underwater shots capture Vespoli and pretty, pale Stoya cavorting naked in a pool, limbs entwined, making love as if suspended in space. Out of the water they share cunnilingus and wet pussy-to-mouth kisses. The scene is particularly cinematic, starting with Vespoli costumed from neck-to-toe in skin-tight black latex and moving robotically, in homage to the replicants in the classic Ridley Scott film “Blade Runner.”
In fact, Fluid Volume 3 pays tribute to more iconic cinema: In a scene Vespoli says was “inspired by the Crazy 88s” in Quentin Tarantino’s “Kill Bill,” she and brunette beauty Dana DeArmond don strap-ons and join three studs surrounding American Asian minx London Keyes for a rough circle-suck. Keyes’ head is repeatedly dunked in a tub as an underwater cam shows her face plunging in. There’s more fluid when the pricks plaster Keyes’ face with thick sheets of spunk.
Curvy Sovereign Syre and veteran adult actor Steven St. Croix play out a tense power exchange scenario; the curious girl succumbs to the dominant fucker for fearsome breath control and sex in a running shower and full bathtub.
Smokin’ hot, natural-breasted blondes Carter Cruise and Jessa Rhodes romp and splash in an inflatable pool. Then it’s a threesome of spanking, choking, rim jobs and hard-edged fucking with leading male talent Manuel Ferrara (in cartoonish rapper gear). The scene’s fluid factor does not come from the little pool only — viscous, flowing slobber irrigates the action.
Vespoli’s filmmaking ambitions extend beyond her sexual fascinations — theatrical, slickly edited dance segments introduce three Fluid Volume 3 scenes. The ensuing sex proves that even renaissance women like to get wet.
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